Showing posts with label fine arts. Show all posts
Showing posts with label fine arts. Show all posts

Wednesday, November 14, 2012

In Search Of...

The lovely and talented Rachel Frank, Dustin Dennis and Amanda Lechner at the opening of In Search Of...


With Amanda. I was so EXCITED to see this girl!

Full disclosure: I think my friends are the most talented and wonderful and brilliant and kind and amazing and fascinating and phenomenal and gorgeous people in the whole world. It may come as no surprise, then, that I might display just a tad bit of bias when I share the details of In Search Of..., a traveling exhibition organized by Dustin Dennis, Christopher Ulivo and Amanda Lechner. Dustin and Amanda are longtime friends, who I have known since my days as a student at the Kansas City Art Institute (and before, in the case of Dustin). I will share details about the exhibition without even attempting to give a strict analysis. I was too darn excited to see Dustin and Amanda, who were in town from New York, to wear my critic's hat. And believe me, Dustin and Amanda are just as wonderful and brilliant and kind and amazing and fascinating and phenomenal and gorgeous as I say they are. 

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Mike Peter Smith, Untitled (Cyclops), 2012. Cast urethane, epoxy putty, brass, cyanoacrylate and paint. 9 in. x 6 in. x 5in.

In Search Of... is a speculative exploration of natural, and unnatural, history. Its take on how we explain and understand that which is beyond explanation or understanding runs the gamut from the frightening and weird to the idealized and fantastical. The world and the answers at which humans arrive are not fixed, or at least they don't have to be. In this exhibition, at least, creative inquiry is not only permitted, but encouraged. According to the curatorial statement, In Search Of... takes its title from the 1970s speculative documentary TV series of the same name, which was hosted by Leonard Nimoy and covered a wide range of strange phenomena. The statement goes on to say the "artists in this exhibition create images and abstract scenarios that engage transformative moments, look to alternate histories or imagine other realities, creatures and lands. They are not interested in finite possibilities but instead look to the strange, fictional, and unknown to emerge with material that posits new scenarios, alternate conclusions and yet more questions."


Overview of In Search Of... with work by Betsy Odom in the foreground. Betsy Odom, Bulldog 2 (Spacesuit), 2009. Mixed media, Gatorade coolers, tube socks, mesh, nylon. 60 in. x 30 in. x 28 in.

Overview of In Search Of... with work by Leah Beeferman in the foreground. Leah Beeferman, 1201.2280v1, 2012. Laser etched plexiglas, formica tabletops, speakers and audio. 96 in. x 24 in. x 30 in. Dimensions variable.


The exhibition opened on the first cold and icy day of the season. That didn't stop a crowd from gathering for the opening reception at the University of Kansas, Art and Design Gallery. I knew many of the visitors, as many old school pals showed up. KCAI is represented in the exhibition by Matt Bollinger, Rachel Frank, Ross Sawyers, and Frank Heath, in addition to Dustin and Amanda.

Here are few pieces by KCAI alumni:

Ross Sawyers' piece is a poetic vision of a phenomenological experience;

Ross Sawyers, Untitled, 2011. Archival print. 24 in. x 36 in.

I have always admired Matt Bollinger's drawing style, and Double is no exception - the texture and tones appeal to me, and the applied movement makes me feel a little queasy;

Matt Bollinger, Double, 2012. Graphite on paper. 30 in. x 22 in.

and Frank Heath's framed prints are two versions of the same thing, separated by nothing but time (and all that goes along with that).   

Frank Heath, Rerun TELEPHONE OPERATORS (Village Voice, June 2, 1987 / June 2, 2012), 2012. Classified ad. Pigment 2 prints. 13 3/4 in. x 12 1/2 in.

Rachel, who was in the same graduating class as Dustin, Amanda and I, was in town for the opening. Her piece is absolutely beautiful. Her cowhide beaded with a Rorschach test-like pattern makes me want to sit in a field and read stories from the flanks of cows. It also shows just how mindlessly we humans slaughter animals and use their body parts, including skin, for our own pleasure.

Rachel kindly let me photograph her with her piece.

Rachel Frank, Hide Stain, 2012. Glass beads, thread, cloth, wood and Holstein cowhide. 60 in. x 53 in. With detail.

Amanda's contributions to In Search Of... are two intimate narrative paintings. Lone figures enact scenes of (pseudo-) scientific research and discovery, seemingly with endless patience. Amanda has a deft hand and paints with skill and precision. 

Amanda with one of her highly detailed scenes.

At left: Amanda Lechner, Magnetron Plasma Ball, 2011. Egg tempera painting on panel. 14 in. x 11 in. At right: Amanda Lechner, Gaiter Pratt Delegates, 2011. Egg tempera painting on panel. 14 in. x 11 in.

Dustin presents a mysterious looping video featuring a man, a woman and an over-sized eye. This disturbing science fiction sequence is still on my mind. What is ethical? What are the limitations of human development? To what lengths would you go for scientific discovery?

Dustin striking his "serious" pose. Gotta love the beard, besides.

Dustin Dennis, Untitled, 2012. Digital video. 5 minutes (Stills). Do you recognize the actress? That's right, it's Rachel!

I spent at least two hours at the exhibition, and I could have stayed longer, even if I hadn't been chasing my friends around with my camera. Other pieces I was taken with include the following:

Jackie Hoving's highly patterned collages of people with what struck me as bionic add-ons;

Jackie Hoving, Vision, 2010. Mixed media collage. 30 in. x 22 in.

Ryan Mrozowski's sleek installation - with his visual punning, he's definitely a man after my own heart; 

Ryan Mrozowski, Illuminated Book page (#26), 2011. Single book page, light bulb, artist's frame. Dimensions variable.

and Christopher Ulivo's fanciful vision of Pete Seeger as the Robert Johnson of folk music. Do you see hints of Bosch, too? Plus glitter.

Christopher Ulivo, The Last Thing They'll Take From You Is Your Banjo, 2012. Egg tempera on panel. 13 in. x 10 in.

Overall, I found In Search Of... to inspire thought and the desire to make things. That's a powerful combination for any artist who is out viewing art. I highly recommend this exhibition. In Search Of... will be exhibited at the University of Kansas, Art & Design Gallery, until December 7, 2012. Be sure to check it out if you are in town! If you can't make it to Kansas City, some of the work will be on display at North Branch Projects in Chicago, Illinois, in January 2013.

Congratulations, Dustin, Amanda and Christopher!! 

Check out the exhibition, and tell me know what you think. Have you been to any exhibitions I should see? Let me know.

Alison :)


Thursday, November 8, 2012

Day of the Dead Altar

As a calaca for the Day of the Dead festivities at Mattie Rhodes. My eye makeup was a little scarier than intended.

I can hardly believe it is so close to Thanksgiving. The past couple of months have just shot by. This fall has been filled with back problems (a story for another day), ACED classes, political ads, stressed out and exhausted students, new coworkers, fun family times, art projects, too many mochas, and good times with friends. 

Altar for Women by Maureen Baker-Barria, Rosemary Barria, Liz Black, Amy DeSitter, Anna Cathleen DeVore, and Alison L. Miller, 2012. Materials: Cardboard, fabric, sugar, newspaper, paper, paper ephemera, plastic beads, glass drops, dried flowers, and plastic figures.

One of the best experiences I have had this season was working on Altar for Women with a group of creative ladies for the Dia de los Muertos exhibition at the Mattie Rhodes Center. Mattie Rhodes, which is located on Kansas City's West Side, is an educational center dedicated to Latino arts and culture. I enjoyed working on this project tremendously. My partners and I often seemed to be of one mind, which simplified the decision-making process. I would be delighted to work with any of these women again. Our altar subtly referenced the attack on the rights of women, both in the US and abroad - cue the creepy arm crawling out from under the altar. 

The piece was exhibited under the group name Hyperkewl. Hyperkewl Projects was founded by Rosemary Barria while she was living in Chicago. According to the description on Hyperkewl's facebook page, "Initially a sound and video show in Chicago, IL, the heart and mind of Hyperkewl has become a collective of people interested in community endeavors and collaborative creation. Hyperkewl exists as an online information hub, a monthly event, and takes on various projects that we come up with. The identity and endeavors flux and are open to new ideas from anyone." Luckily for Kansas City, Rosemary has returned her talents to the area. 

Details of our altar are below:

Glittery doves and paper flowers.
Combative arm.
Blind Justice as Mary, or Mary as Blind Justice? You decide.
Vaginal references, paper flowers, candles and sugar skulls.
More sugar skulls.

Most of the altars were dedicated to family members. Because the altars referenced the daily lives of people who are now gone, they struck me as bittersweet reminders of both life and death. They were funny and moving at the same time, which put the viewers in a predicament. We were happy to celebrate the lives of those who had died, but we mourned the fact they were no longer here with us. 

Here are a few of my favorite altars:

This altar is gorgeous. Apparently, it's a permanent installation.
How beautiful is this altar!?

I found this to be an inspiring altar (detail).
The skeleton possesses so much personality! Plus, you could blow the horns attached to this altar.



I loved this quiet and delicate altar.

The altar below moved me to tears:

Adding a note to a loved one.

The instructions atop this altar encouraged each viewer to write a note to a loved one who had died. I wrote to my Aunt Vickie, of course. The simple process of hand writing a note to Aunt Vickie and then "delivering" the note into its cubby brought out so many emotions.

Did you do anything to celebrate Day of the Dead? Have you participated in any group efforts lately? I would love hear about them.

Alison :)

Tuesday, April 10, 2012

The Real World

A couple spring days off work? Can life get any better!?

I'll be rejoining the real world tomorrow, but I sure enjoyed my long weekend. I spent it 1) shopping, 2) looking at art, 3) spending time with family, 4) reading, and 5) getting a pedicure.


Evan-Piccone Dress now in my closet - I know, I know. It's not exactly what I thought I was looking for, but it really suits me! Plus, black-and-white is oh, so versatile. I can add colored accessories to suit any mood or situation, not to mention this baby is washable and wrinkle-free!

1) My mom, sister and I went shopping for Easter dresses/spring staples on Friday. We all found some springy wardrobe updates, and my sister and I both found Easter dresses. Because the one I found (a really pretty American Living dress) was dry clean only, my mom and I went back out on Saturday, where I found a more user-friendly dress. Yay for dresses that are washable and don't wrinkle! Looking for dresses can be trying, so I am grateful I found more than one option! 

My cousin really enjoyed Jennifer Onofrio's work on display at Sherry Leedy Contemporary Art. Her work is gorgeous and inspires me, too. Above: The Space Between, 2010, Silver gelatin print with ink, 38 3/4 in. x 27 3/4 in. x 3 1/2 in.

2) On Friday night, my sister and I took my 16-year old cousin Robert to his first First Friday. I felt really good about introducing him to the modern art world. Oddly, enough, there were lots of skulls and skeletons featured in the exhibitions we saw. This was great, because that is one of Robert's favorite art subjects. After we walked around taking in all the art, we treated Robert to dinner at Rosedale Bar-B-Q. Rosedale's been around since 1934, but it was our first time. The meat was divine (especially the pulled pork), although the sauce was a little spicy for me. The baked beans also had a little kick, which I liked. All in all, I think Robert had a good time. It's hard to read teenage boys.  

I felt a great deal of responsibility while sharing art with Robert. My goal is to impress upon people, and especially young people, the value of art in and to our society. If more people grow up learning and believing art is meaningful, then art programs will be valued even when things get tough economically. Maybe. Hopefully.

Easter Eggs!


3) I stayed with my parents over the weekend. I always feel recharged after spending time with them. It's true, there's no place like home. I also saw all my cousins on Easter Sunday. After a really thought-provoking church service, we drove down to my cousins' home in Raymore, MO. They live on Silver Lake, and they know how to throw a party. We had good conversation, a delicious potluck and an Easter egg hunt. Growing up, we always collected candy during our Easter egg hunts, but my cousins fill their eggs with money... Aaaaand, I am still considered a "kid." Maybe I'll be one until I have kids of my own?? Or perhaps until I have a few noticeable wrinkles? 

Enjoyable read.

4) I have made it about a quarter of the way through The Girl Who Played with Fire, the follow-up to Stieg Larsson's The Girl with the Dragon Tattoo. I am really enjoying the series. It's dark. It's suspenseful. It is filled with intriguing and "human" characters. The first book hinted at Lisbeth Sander's disturbing past, and in the second book we begin to learn how and why Lisbeth is who she is. From reading the book jacket, I know there's another large-scale mystery or two to untangle. As soon as I finish here, I am going back to reading!

5) My mom treated me to a pedicure today. What more can I say? Thanks for the luxury-treatment, Mom! Now, my feet are fit to be seen (but no pics to prove it).

How do you fill your time off of work? What do you do to treat yourself when you have a few days of your own?

Alison :)